Yojimbo (1961)

Yojimbo (用心棒)  is a 1961 jidaigeki (period drama) film directed by Akira Kurosawa. It tells the story of a ronin (masterless samurai), portrayed by Toshirō Mifune, who arrives in a small town where competing crime lords make their money from gambling. The ronin convinces each crime lord to hire him as protection from the other. By careful maneuvering and the use of his sword, he brings peace, but only by encouraging both sides to wipe each other out in bloody battles. The title of the film translates as "bodyguard". The ronin calls himself Kuwabatake Sanjuro (meaning "Mulberry Field thirty-year-old"), which he seems to make up while looking at a mulberry field by the town. Thus, the film can be viewed as an early example of the "Man with No Name" concept (which previously appears in a number of novels, including Dashiell Hammett's Red Harvest.

The Samsara

 

Indian born filmmaker Pan Nalin makes his directorial debut with this sensual, elegant look at sex and spirituality. Tashi (Shawn Ku) is a gifted young monk who is just completing three years of solitary mediation in the mountains. Sporting long hair and a scraggly beard, Tashi is roused out of his deep mediation and brought back to his monastery by his fellow monks. There he rests up to recover his strength, returning to the usual rigors of monastic life. Though he is highly revered for having attained a profound level of enlightenment, Tashi is surprised to discover the sudden awakening of his own sex drive. While blessing the annual crop, he encounters beautiful peasant girl Pema (Christy Chung) and immediately he falls in love. Arguing that to properly renounce the world he would have to experience it first, he leaves his order and eventually marries Pema. This film was screened at the 2001 Toronto Film Festival.

Le Dernier Combat

Unusual because it has no spoken dialogue, Dernier Combat effectively chronicles the fate of a handful of people after a worldwide disaster has left the planet desolate and bleak and the people physically unable to speak. A young man (Pierre Jolivet) longs for female companionship and so he puts together a serviceable plane and flies to the remains of a city where survivors live in the ruined hulks of cars -- or wherever they can. The problem is that there are very few women to be found here as well. After the young man enters the city, he comes across an older doctor who has returned to his psychiatric clinic and is barricaded there, defending the clinic against the attacks of a violent barbarian intent on further destruction. This murderous aggressor is not only after the doctor but also a women who is hiding in the clinic -- and when the young man joins up with the doctor and sees the woman, his future takes a new course. Le Dernier Combat (also known as The Last Battle) was the first feature-length film by a 24-year-old Luc Besson (The Big Blue, La Femme Nikita, The Fifth Element). The film won two major prizes at the 1983 Avoriaz Science Fiction Film Festival, and collected more than 18 prizes at other international festivals -- though it was overlooked by France's Caesars and the U.S. Academy Awards.